Jean-Baptiste Camille Corot
(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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Jean-Baptiste Camille Corot Teich von Ville-d'Avray oil painting


Teich von Ville-d'Avray
1873(1873) Medium oil on canvas Dimensions 43 x 80 cm (16.9 x 31.5 in) cjr
Painting ID::  90194
Jean-Baptiste Camille Corot
Teich von Ville-d'Avray
1873(1873) Medium oil on canvas Dimensions 43 x 80 cm (16.9 x 31.5 in) cjr
   
   
     

Jean-Baptiste Camille Corot Wald von Fontainebleau oil painting


Wald von Fontainebleau
1830-1835 Medium oil on canvas Dimensions 48 x 59 cm cjr
Painting ID::  90248
Jean-Baptiste Camille Corot
Wald von Fontainebleau
1830-1835 Medium oil on canvas Dimensions 48 x 59 cm cjr
   
   
     

Jean-Baptiste Camille Corot The Letter oil painting


The Letter
1865-70 Medium Oil on wood Dimensions 54 x 36 cm (21.3 x 14.2 in) cyf
Painting ID::  90444
Jean-Baptiste Camille Corot
The Letter
1865-70 Medium Oil on wood Dimensions 54 x 36 cm (21.3 x 14.2 in) cyf
   
   
     

Jean-Baptiste Camille Corot Juive d'Alger oil painting


Juive d'Alger
Oil on canvas Dimensions 44.5 x 35.6 cm cyf
Painting ID::  90921
Jean-Baptiste Camille Corot
Juive d'Alger
Oil on canvas Dimensions 44.5 x 35.6 cm cyf
   
   
     

Jean-Baptiste Camille Corot Een straat in Ville d'Avray oil painting


Een straat in Ville d'Avray
oil on canvas cjr
Painting ID::  90935
Jean-Baptiste Camille Corot
Een straat in Ville d'Avray
oil on canvas cjr
   
   
     

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     Jean-Baptiste Camille Corot
     (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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